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WHAT'S ALREADY HERE

by Joy Shape

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  • Cassette + Digital Album

    high bias cassette with ink-jet printed j card designed by zoë alexis-abrams of JOYSHAPE renown, printed and reeled by www.duplication.ca

    55 copies available!!

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1.
the son 04:50
THE SON i see you on the street, a son suits you well. you don't want to be friends as far as i can tell. all i wanted was the magic of love, poured into the shape of you. but i'm happy, in the name of peace, that we still get along. once again, as predicted, there's emotion in my point of view. in my girlhood romance, all i can think of is you. i wish i was your son. it would be such fun! i'd tell you it's okay to have frightening thoughts. on computer screens you climb up the mountain; versions of happiness, it's okay to have a few. you're always in my thoughts. once again, as predicted, there's emotion in my point of view. in my girlhood romance, all i can think of is you. this girlhood romance, it only lasts for a while. we cling together as a means to survive. what do you ask for? what do you read late at night? maybe we think of the same. think of the moon, the singular moon, the same moon links you and i. oh, he's got green eyes just like me.
2.
desire 05:23
i've got a broken system sonnet, foreshortened by my ire. you say that it's normal but i'm afraid of my desire. crushed by their misogyny, i walk past their window still. with my desire so well hidden i float from room to room. if i close my eyes no one will see me. if i close my eyes no one will see me, but maybe i spoke too soon! if caladium grows red and green, in widening fields, taking up space, i can show my face. i never even bothered to feel bothered when my so-called friend didn't understand the variation of the form that my love takes. they didn't understand. desire is mine tonight, tonight. desire is mine tonight, tonight. i know what i want, know who i am, know what i need, and it's you who's gonna give it to me. if caladium grows red and green, in widening fields, taking up space, i can show my face.
3.
IN AN ALLEYWAY BESIDE A MOUNTAIN i still dream of the knife-throwing man who appeared, in our alleyway, beholden to no one. shortened collarbone, fingernails. we're both grey in face and muscle. in my dream there's an infinite loop of my face reflected in the blade. there's an element of surprise. there's an element of surprise. there's an element of surprise: here we stand underneath the querelous, unbelievable mountain. who can imagine ever scaling such an unbelievable mountain? such an amazing height, raising my hands high above! rising airs catch the ferns up high, rising airs catch the ferns; he will go go go relentlessly he will go go go endlessly.
4.
the rock 05:24
THE ROCK do boys boil, yes. do girls boil, yes, she sang wind-in. push shoulders back, wings up, a strong visual. chin into chest, make yourself heavier than you were just by contemplating mass. a dream somewhere is wet, and i know she felt moved. spoke carefully, the flushed face of next to teeth daughter, a dream fallen out from overexposure to untruth mouth. waiting for somebody she wasn't told properly about. waiting carefully until it all flows out. accosting the rock, and dropping the rock. the rock doesn't answer to you, undertaker. the rock, the people's champion. he entertains millions. he flies backwards, the air passes through his ass and his mouth. flies until he stops fighting! so let's sing again, my body so limp it won't exist without you. i'll let dogs muzzle it you weren't told properly about. a freshet stars daughter, pees on the seat daughter. my body is my choice is the rock is my choice is the rock
5.
INSIDE A TUNNEL there's a tunnel i know who's terminal's water. not a time when i'm aboveground in my search for water. shaped like a window i get to climb through, all the women are trapped in there while i get to just pass through (i know i won't just pass through!). can't see them but i feel them, our bellies drag across the ground, can't see them but i feel them, they fill our lungs without a sound. i just remembered: the stone is worldless, likewise the animals, the veil of plants. our tunnel's suspended and we its animals. matrix unknown soils trapped in unknown soil can't see them but I hear them, the ghost they bang our shoulders. can't see them, how long since i've felt the water? the body covered in dirt pretends not to move, or concertrate on progress in this tunnel.
6.
TV ROOM "in the company of wolves" is a film by neil jordan. I watched it in a grey room full of plush furnishings. across from the VCR, he's still, in an armchair. the movie took me somewhere, did it take you somewhere? it's a social disease, and you showed it to me. I know you, oh and I love you. oh he's searching, running again and again, into those woolen arms. still searching, still searching mine's a brother fantasy, beneath a staircase. one of us is lying, the other one's not lying. it's a social disease, and you showed it to me. I know you, oh and I love you.
7.
YOU ARE HEARD JUST UNDER THE WIND (whispered intro, with fx) 'above, below, the the left, to the right, inside inside' you are heard just under the wind blakeley heard just under the wind you are heard just under the wind blakeley's secret room under the wind i strain harder, since he's died, to hear something essential. floating cloudhead, foamed, flowered wind, blakely's secret room just under the wind it's you it's you placed above, beyond the wind, it's bridge: (two voices, in unison) when the earth moves, it moves without us, it moves without us when the wind moves it moves without us when we lose objects they move without us, they move without us we we hide people they lose us too sighing out weeping water sigh deeply without, above below we can define what it is by what isn't there just under the wind
8.
2009 law enforcement wasn't tye best answer. crystalize the story, 'fore and after. the air feels different, a queerer shade of blue, birds revise their flying patterns, too, to witness her here and survey future scenes; to scan below another feverish dream. found my feminism in 0-9, found my feminism in 0-9. if not then, some other time. and the air skews hot, but our sun has set today. nothing prepared the body for the pain of reporting rape. there's a trapdoor in the ceiling for her to escape his face. no one's allowed on the roof this late, pause with the shadows, wait. watching television in 0-9, watching television in 0-9. if not then, some other time. foliage grows thin, and the ground it gently rises. deposition room hanging in her mind, she sees his face in women, men, in a mature child. wish him restitution, peace, forgiveness, but the mind goes wild. sleeping heavily in 0-9, sleeping heavily in 0-9, if not then, some other time.
9.
There's a tunnel I know whose terminal's water; not a time that I'm above ground in my search for water. Shaped like a window I get ts climb through. All the women now live there, while I get to just pass through (I know I won’t just pass through). Can’t see them, but I feel them (our bellies drag across the ground). Can’t see them, but I feel them (they fill our lungs without a sound). I just remembered: the stone worldless; likewise the animals, the veil of plants. Our tunnel’s suspended, and we its animals. Matrix unknown soil. Trapped in unknown soils. Can’t see them, but I feel them (the ghosts they slam our shoulders). Can’t see them (how long since I’ve felt the water?). How long since I’ve been fresh and cold? The body, covered in dirt, pretends not to move; or concentrate on progress in this tunnel.

about

JOYSHAPE is the poetic, experimental dance-pop unit led by Toronto’s Zoë Alexis-Abrams. On their debut album, What’s Already Here, songs unfold in unexpected directions, veering into spacey synths or proggy instrumental passages before wistful melodies return like familiar refrains. Her high, quivering voice has the poised control of Kate Bush, as she winds through yards of ruminative lyrics that recall Joanna Newsom. Produced by drummer Jonathan Pappo (Ducks Ltd, Scott Hardware, Lee Paradise) with a band that includes cellist Eliza Niemi joined by synth players Amelia Izmanki and Ryan Al Hage, the songs’ buoyant grooves belie the intimate admissions of Alexis-Abrams’ words.

“My lyrics are about a platonic love that gingerly exists, and reflect on platonic love of the past,” she explains. “I also wrote a lot about the environs of Toronto and Vancouver that resonate with me – like alleys, the underground, and basements. Places where my friends and lovers feel really comfortable being that will always be there in the midst of development that our cities are going through. I call it an eco-feminist city narrative.”

Prior to forming JOYSHAPE, Alexis-Abrams bounced between musical worlds. Trained as a classical cellist, she competed as a child before majoring in jazz at university. Alongside joining an early version of The Strumbellas, Alexis-Abrams kept another foot planted in improvised music circles, performing in the AIM Toronto Orchestra and the duo Manticore with guitarist David Jones. These unconstrained outlets allowed her to experiment and develop a vast vocal range, yet they were missing the feelings of audience interaction.

“I would often find myself at lonely improv shows where people would sit with their heads in their hands,” says Alexis-Abrams. “I wanted to inspire the inverse in people, so JOYSHAPE became my attempt to find community through dance-oriented music. I really wanted to try writing pop songs, and I really wanted babes to dance at my shows.”

What’s Already Here begins with “The Son,” a deeply vulnerable song about Alexis-Abrams’ relationship with a woman that reveals her desires for a different kind of connection. “We had a very tumultuous experience, and she had this beautiful little boy that needed gentleness,” Alexis-Abrams explains. “I wrote that song as an experiment or a desire to share the most perfect, innocent love with her – i.e. being her son.”

The choruses of “TV Room” add a burbling disco groove to airy harmonies and ghostlike horns. This juxtaposes with the melancholy electronic squelch of “You Are Heard, Just Under The Wind,” a tribute to Alexis-Abrams’ late friend and collaborator Blake Blakely, who died of leukaemia in 2018. “Inside A Tunnel” is propelled by clattering drums and smears of synth, as Alexis-Abrams reflects on the crises that are currently happening in cities like Jackson, Mississippi. “It’s a speculative song about what would happen if we no longer had access to water, and what lengths we would have to go to find relief from the elements.”

Nature pokes through JOYSHAPE’s lyrics like flowers in concrete, as she sings about unknown soils, weeping water, and compares her romantic desires to wild caladium. A triptych of music videos created by Alexis-Abrams add surrealist interpretations of the songs’ themes using dance, animation, or the costume of a creature covered in hair that emerges from the bog at night. “I art directed the videos and came up with the visual concepts in collaboration with Natalie Logan, so it’s a total artist package,” Alexis-Abrams concludes.

-- written by Jesse Locke @wipeoutbeat

credits

released October 13, 2022

written by ZOE ALEXIS-ABRAMS with input from johnny myryam spence, kritty uranowski and kvesche bijons-ebacher

produced by JONATHAN PAPPO

recorded by JOSH KORODY at CANDLE STUDIOS

mixed by LISA CONWAY of WILDLIFE SANCTUARY SOUND

mastered by HEATHER KIRBY of DREAMLANDS MASTERING

players:
ZOE ALEXIS-ABRAMS: vox and cello
JONATHAN PAPPO: guitar, assorted percussion, drums, juno 106, harmony vox
ELIZA NIEMI: bass, cello and harmony vox
AMELIA IZMANKI: dx7 synth, harmony vox
RYAN AL HAGE: juno 106

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Some rights reserved. Please refer to individual track pages for license info.

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Joy Shape Toronto, Ontario

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